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CDs:
- ” Amber” (Rhodri Davies, Julia Eckhardt, Robin
Hayward, Lucio Capece) (Creative Sources. Portugal)
. Phill Niblock:” Disseminate” (Mode 131, USA)
.“Kraakgeluiden, Document 1” (Unsounds, Holland)
UPCOMING RELEASES CD
-Orange Code (Franz Hautzinger/ Domenico Sciajno/ Lucio Capece).
Quakebasket. New York. USA. 2006.
-Axel Dörner- Lucio Capece duo. L ‘ innomable label.
www.linnomable.com
Begginning 2006.
CDR’ s:
- NMM (No More Music ) ”No More Music at the Service of
Capital”
Mattin : Computer feedback running free software.Lucio Capece:
Mixer feedback modified by saxophone. Ssoprano saxophone, bass
clarinet, microphones, objects.
Recorded live at Kule. Berlin. 11th april 2005. (Why not? Editions)(http://www.geocities.com/whynotltd/)
- Space Time Modulator.
Solo Project recording, presenting three pieces:
1-Space-Time Modulator
Lucio Capece: Non-input mixer sounds, editing, soprano saxophone,
bass clarinet, microphones, mini-discs.Inspired by Laszlo Moholy
Nagy’s ”Space-Light Modulator” , Space-Time
Modulator combines elements of random combinations and chance
pairings to create unique sounds that are then further elaborated
upon by a live musician. STM is a 50 minute piece made up of
three axes of sound: the first two are comprised of sounds created
with a non-input mixer (e.g. sounds produced by the mixer itself,
without external information or inputs). This material has been
edited, but not processed, leaving the sounds coming from the
mixer in a pure state, and is played by two mini-disc players,
one for each voice, in random function.
The third voice is played in real time, improvised with the
soprano saxophone and the bass clarinet, using various methods
of air production, and amplified by two microphones that are
in turn controlled by two volume pedals, one for each stereo
side.
The basis for these choices of axes is the following: pre-recording
and editing of sounds allows for the creation of sounds that
are difficult to produce or recreate in live playing; the random
function, besides the evident modification in the time order
of elements that build the piece, allows for a particular and
unique superposition of sounds in each performance that is especially
interesting with analog instruments. In this way, the material
modifies itself, and at the same time is also modified through
the playing of the saxophone and the bass clarinet.
The movements, materials and the whole concept behind the Laszlo
Moholy Nagy masterpiece pushing the research of new developpements
of sensibility, has been an special source of inspiration and
creative energy,helping to develop extended techniques and a
new criteria for expression. Space-Time Modulator seeks to continue
his explorations and spirit.
2-Space- Time Modulator 2. This a two minutes piece. Composed
with previously recorded material produced by mixer feedback,
bass clarinet, soprano saxophone. The piece intends to be performed
with the Space –Light Modulator.
3- Mixer feedback modified by inside amplified saxophone.Improvised
noise piece. A tape built with sounds played by Julia Eckhardt
(viola) and Ludo Engels (recording) is played in the background
of this piece.
CD-R released on the label No Seso (Argentina)
-Sergio Merce. Lucio Capece duo. Live recording made
in December 2004. Experimenta Festival. Buenos Aires. ( cd r
released by Tacto. Argentina)
UPCOMING RELEASES CD-R:
-Avion Negro. 3 cd ‘ s box .No Seso .Argentina.
End of 2005.
AVAILABLE RECORDINGS (for organizers , interested labels)
Axel Dorner/ Robin Hayward/Lucio
Capece trio
Yannis Kyriakides/ Lucio Capece duo.
Sergio Merce/ Lucio Capece duo.
Xavier Charles/ Thomas Ankersmit/ Lucio Capece.
Toshimaru Nakamura/ Lucio Capece duo
Sergio Merce/ Gabriel Paiuk/ Robin Hayward/ Andrea Neumann/
Lucio Capece.
Treatise Project (Keith Rowe , Axel Dorner, Andrea Neumann,
Burkhard Beins, Alex Waterman, Julia Eckhardt, Gabriel Paiuk,
Sergio Merce, Lucio Capece).
Keith Rowe/ Sean Meehan/ Lucio Capece trio.
E-mail : hipereter@yahoo.com
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